Shingeki no Kyojin: Kanketsu-hen Revival Screening Commemorative Cast Interviews with Shimono Hiro, Taniyama Kishou, Kamiya Hiroshi, Hanae Natsuki, Sakura Ayane and Others Released

Attack on Titan Cast Shares Their Thoughts as “The Last Attack” Returns to Theaters!

The revival screening of Gekijouban “Shingeki no Kyojin” Kanketsu-hen THE LAST ATTACK is currently in its advance run at Dolby Cinema locations. To mark the occasion, new interviews have been released with the voice actors behind some of the series’ most beloved characters: Hiro Shimono (Connie Springer), Kishou Taniyama (Jean Kirstein), Hiroshi Kamiya (Levi Ackerman), Natsuki Hanae (Falco Grice), and Ayane Sakura (Gabi Braun).

Shingeki no Kyojin (also known internationally as Attack on Titan) is the anime adaptation of Hajime Isayama’s manga, a global phenomenon serialized in Bessatsu Shounen Magazine. It depicts humanity’s endless struggle for survival against the Titans within a walled world. Following the hugely successful TV series and original comics, the anime adaptation proudly reached its grand conclusion in the fall of 2023, roughly a decade after Season 1 first aired.

“Gekijouban ‘Shingeki no Kyojin’ Kanketsu-hen THE LAST ATTACK” is a theatrical reconstruction of the two-part “The Final Season” finale that moved audiences worldwide. It tells the story of the final battle, where those who remain—including Mikasa and Armin—must stop Eren from destroying the world.

Supervised by director Yuichiro Hayashi himself, the film features brushed-up cuts from the TV series. Combined with 5.1 channel surround sound, it has been crafted into a 144-minute feature film. The visuals, already praised as “theater-quality” during the TV broadcast, have been elevated even further, evolving into a truly spectacular work meant to be experienced on the big screen. After its initial run starting in November 2024, the revival screening begins with an advance Dolby Cinema release, followed by a nationwide rollout starting January 16.

The new cast interviews were conducted to commemorate this revival. Hiro Shimono (Connie), Kishou Taniyama (Jean), Hiroshi Kamiya (Levi), Natsuki Hanae (Falco), and Ayane Sakura (Gabi) each answer questions delving into Shingeki no Kyojin as a work and their respective characters. Be sure to give them a read before experiencing the culmination of Attack on Titan, the “ultimate finale,” once again.

The revival screening of “Gekijouban ‘Shingeki no Kyojin’ Kanketsu-hen THE LAST ATTACK” is currently in its advance run in Dolby Cinema, a first for the series. The nationwide sequential release begins on January 16.

Full Cast Interviews

Hiro Shimono (as Connie Springer)

――What do you think is the reason Shingeki no Kyojin has been loved for so long?
Of course, the fascinating aspects of the work itself—like its unpredictable world and story, the characters and their relationships, the balance between seriousness and comedy—are a big part. But I think the reason it was loved by so many is that the anime’s visuals, music, and voice acting were added on top of that, allowing even more people to connect with it!

――You’ve mentioned before that you were convinced “Connie would die.” Among the scenes where he uses his strong mental fortitude to repeatedly escape dire situations, are there any that left a particular impression on you?
It was less that I thought “Connie would die,” and more that I thought “Connie isn’t a main character,” so I was surprised he survived to the end. He had his moments in the story, so it’s hard to pick just one scene… but it’s the scene where Connie tries to feed Falco to his mother. He may have grown stronger as a soldier, but I think a mental weakness is what led to that incident. It was because of his interaction with Armin at that time that he grew mentally, which led to his later accomplishments.

――Despite carrying tragedies like the people of his hometown, including his mother, becoming Titans, Connie left an impression as a mood-maker. How do you perceive his personality and his charm?
When he first appeared, he really gave the impression of being a “dummy.” Saying he was a genius, fooling around with Sasha… his bad points stood out, you could say. However, he’s always been someone who cares for his comrades. Even when running away, he wouldn’t run alone but with everyone. Even in the incident with Falco, he ultimately helped Armin. I think his good points are that, while he might be a show-off and a dummy, he cares deeply for his comrades and family.

――The comedic interactions with his peers from the training corps days were part of Connie’s charm throughout the series. If there are any conversational scenes that left an impression, please tell us.
As mentioned above, Connie would fool around with Sasha and say things that made you worry, “Is this guy okay?” Among them, “Eren’s hooouuuuse!!” really made me think, “What’s with him all of a sudden…?” Since it’s a line from the original, Mr. Isayama might have had some intention behind it, but I remember really struggling with how to perform it for the anime. For my part, I performed it with the interpretation that, as a result of Connie’s brain refusing to think due to sheer terror, those words just slipped out.

Kishou Taniyama (as Jean Kirstein)

――Alongside Connie and others, Jean’s very human side resonated with viewers. Looking at Jean again, are there parts you strongly relate to?
The part where the girl he likes doesn’t like him back.
And the part where that girl already has someone she likes.
Jean, I get it.

――Jean and Eren would clash every time they met, yet you could feel from various parts of the story that the fundamental trust between them was never shallow. What are your impressions of their relationship?
I suppose it’s a rivalry.
I think the existence of Eren helped Jean grow in many ways.
There’s envy, competition, winning, losing, acknowledgment… I feel like at some point, Eren became a part of Jean himself.

――Do you personally have any rivals connected by a deep, not-so-visible trust, like Jean and Eren?
Nah, I don’t.
I’m always losing, but maybe it’s enough if I can occasionally win against myself (sharp look).

――While Jean had weaknesses, like hesitating to kill, he blossomed as a leader on the battlefield. Are there any scenes of his exploits as a soldier that left an impression?
“I owe you for that time.”
He had experienced failure before when Reiner, whom he had once captured due to his own actions, was taken by the Cart Titan.
I’m left with the impression that all the various feelings he must have harbored over the following years
are loaded into this line.

Hiroshi Kamiya (as Levi Ackerman)

――With decisions like the theatrical re-release, Shingeki no Kyojin continues to be supported worldwide. Some time has passed since the anime’s final recording session; have any aspects of how you view the work changed?
As someone who has been involved with the work continuously, I treasure the real-time feeling I remember, so personally, my perspective and feelings haven’t changed so far. However, as more years pass, a gap may arise between how those who encounter the work anew in each era feel and how the real-time generation feels. I hope to keep watching until I can sense that difference in perception.

――Levi fought through the Battle of Heaven and Earth to the very end, even while grievously injured. Are there any scenes of his exploits that left an impression on you?
To be honest, I didn’t think Levi would survive to the end. So the scene after the battle ends, where he reports on the whereabouts of the offered heart, is deeply impressive.
Changing the angle, the scenes handled by Mr. Imai’s action animation are emblematic of this work, and I remember having a lot of fun recording for them.

――Levi has repeated many partings with his comrades-in-arms over the years. Are there any particularly memorable scenes?
The final moments of Erwin and Hange, who fought alongside him, left an impression.

――Shingeki no Kyojin didn’t end with a simple happy ending but concluded with a resonant finale. How do you perceive the story’s conclusion?
Human desire is endless, and when its restraints come off, we choose the most foolish method: conflict. The trigger might be desire itself, or perhaps anger or fear.

Natsuki Hanae (as Falco Grice)

――Falco appeared from the Marley arc and also had a major highlight moment at the climax of the movie. What are your impressions regarding his role?
I think he was a character who symbolized hope and kindness as the story grew increasingly harsh.
He appeared from the Marley arc and ultimately played an important role.
He’s never been a flashy hero-type, but his choices and actions greatly moved the situation forward. I believe the accumulation of that led to his final major highlight.

――From expressing his straightforward feelings for Gabi to showing understanding towards the Paradis Island forces, Falco is a flexible and loving young man. Are there any parts you find particularly appealing?
His attitude of trying to understand others is something I’d like to emulate.
His feelings for Gabi are very straightforward, and at the same time, he tries to properly face—not with emotion but with reason—those who have been considered enemies. Even though he’s from Marley, I think he has a very broad perspective and is deeply affectionate.
I felt that not losing that flexibility in such a harsh world is a sign of true strength.

――While being swayed by those around him, Falco also acted as a balancer, supporting Gabi with his personality. Are there parts of him you relate to?
Falco is always standing between people, softening the atmosphere or providing support.
His stance of making choices that make things even slightly better for everyone is something I relate to even in my work as a voice actor.
On set too, I often build my performance while sensing the overall flow, so I related to that.

――Some time has passed since the anime recordings. Looking back on the recording sessions now, are there any memorable events?
I was constantly conscious of the tension that this was a battlefield, a situation where you could die at any moment, so just being on set was quite exhausting.
In the scenes facing Gabi, I had the desire to speak strongly and the desire not to hurt her simultaneously, and the process of searching for that balance left an impression.
I still remember it vividly even now; I’m glad I could play such a memorable role.

Ayane Sakura (as Gabi Braun)

――With decisions like the theatrical re-release, Shingeki no Kyojin continues to be supported worldwide. What aspects do you feel are loved by fans?
I think it’s because it’s “a story that forces you to think of it as your own.”
The situations the characters are placed in are extreme and cruel, but the choices themselves are very human, making everyone wonder “what if it were me?” somewhere along the way. It was a work that kept throwing that question at the viewer until the very end.
I also think the fact that it doesn’t dismiss justice or evil with a simple word is a reason for its enduring love. The emotions one receives change depending on the age you watch it, where you were born, and the time you’ve lived. I feel that having that space to confront it over and over again is why it continues to be supported worldwide.

――In a past interview, you mentioned that comparing Gabi and Kaya’s positions, you could empathize more with Kaya. Now, looking back on Gabi’s position and journey, have any aspects of your perspective changed?
Gabi seemed to have chosen her own world, but in reality, she had almost no choices.
Within that, as a result of desperately trying to “be right,” she destroyed many things, and she herself was broken.
But now, I perceive the fact that she chose to keep living even after realizing her mistakes as something very weighty and precious.
My perspective has changed, little by little but surely. Before forgiveness or the inability to forgive, I feel Gabi taught me the importance of “trying to understand.”

――Having survived the Battle of Heaven and Earth, Gabi and Falco return to what seems like peaceful daily life. What are your impressions of the story’s conclusion?
I felt that this is the entirety of humanity.
Not everything is saved, nor is everything rewarded. Regardless of whether humans make foolish choices or try to advance towards a righteous future, the world continues. That kind of ending feels very true to this work.
However, even so, the choice to keep living exists.
I felt that the fact of that choice itself might be one of this story’s answers.
It’s not a work where you can sort out your feelings immediately after finishing it; I think it’s an ending where the meaning seeps out as we, living in the present, advance through our own lives.

――Finally, a message for all the fans who love Shingeki no Kyojin.
Thank you so much for walking alongside this work for such a long time.
I don’t think Shingeki no Kyojin was an easy work for its viewers. But I believe it’s precisely because all of you faced it until the very end that this work became as big and strong as it is.
Someday, I hope you watch it again as “your present self.” You’re sure to encounter different emotions than before.
I wish for this work to remain in your respective places and respective lives from now on.

Movie & Production Information

■ “Gekijouban ‘Shingeki no Kyojin’ Kanketsu-hen THE LAST ATTACK” Revival Screening Info

Advance Dolby Cinema Release: From Friday, January 9, 2026!
Nationwide Sequential Release: From Friday, January 16, 2026!

■ Theater Information

● January 9 (Fri) Dolby Cinema Advance Release (10 theaters nationwide)
Hokkaido: TOHO Cinemas Susukino
Tokyo: Shinjuku Wald 9, Marunouchi Piccadilly
Kanagawa: T-Joy Yokohama
Saitama: MOVIX Saitama
Aichi: Midland Square Cinema
Osaka: T-Joy Umeda, TOHO Cinemas Lalaport Kadoma
Kyoto: MOVIX Kyoto
Fukuoka: T-Joy Hakata

● January 16 (Fri) Standard Version Screening Begins

■ Staff & Cast

Staff

Cast

Theme Song

Linked Horizon
“Nisennen… Moshiku wa… Niman’nen go no Kimi e…”
(To You, in 2000 Years… or 20,000 Years Later…)

© Hajime Isayama, Kodansha / “Attack on Titan” The Final Season Production Committee

By Koutarou Nakase

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